“A Brief History of the Teaching Artist” in Twenty Years of Marais Press: Imprinting a Campus and Collection (Lafayette, LA: University of Louisiana Press, 2022), 172-74.
“Manet’s Syphilis: Masculinity, Debility, and Adaptation in the 1880s” in Disability and Art History from Antiquity to the Twenty-First Century, eds. Ann Millett-Gallant and Elizabeth Howie (New York: Routledge, 2022), 140-156.
“Picturing Churchill: Reckoning with the Graham Sutherland Portrait.” Finest Hour: The Magazine of the International Churchill Society 194 (Winter 2021): 25-29.
“Social Media in the Art History Classroom” (co-authored with Lauren Jimerson) in Routledge Companion to Digital Humanities and Art History, ed. Kathryn Brown (New York: Routledge, 2020), 480-494.
"Blood, Skin, and Paint: Karl Briullov in 1832" in New Narratives of Russian and East European Art: Between Traditions and Revolutions, edited by Galina Mardilovich and Maria Taroutina (New York: Routledge, 2019), 15-31.
“Vasilii Maksimov: Individuality and Collectivism in Krestonostsev’s Artel of Artists” Russian History, special issue on 'Artistic Communities and Educational Approaches in 19th- and Early 20th-Century Russia,' edited by Ludmila Piters-Hofmann and Isabel Wünsche, vol. 46, issue 4 (December 2019): 262-275. DOI:10.30965/18763316-04604005
"Russian Occidentalism: The Hybrid Self in 18th-Century Russian Portraiture" in Terms: Proceedings of the 34th World Congress of Art History, edited by Zhu Qingsheng (Beijing: Commercial Press, 2019)
"Almost There: Jersey Women Artists Now" Essay in Contemporary Visions: Jersey Women Artists Now, George Segal Gallery, Montclair State University, 2014.
"Future Ruins: Time, Memory and History in the Work of Komar and Melamid" University of Pittsburgh Studies in Slavic Cultures Journal, Issue 8 (August 2009)