Allison Leigh is an Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture I at the University of Louisiana at Lafayette. She is a specialist in European and Russian art of the eighteenth, nineteenth, and early twentieth centuries and her first book, Picturing Russia’s Men: Masculinity and Modernity in 19th-Century Painting, is currently available from Bloomsbury Visual Arts. In 2021, Dr. Leigh received an ATLAS Grant (Awards to Louisiana Artists and Scholars) from the Louisiana Board of Regents to complete a book project titled BURN THE LAST ONE: Misogyny and Modern Art from Delacroix to Picasso.
Dr. Leigh received a B.A. in Art History from American University in Washington D.C. and completed a Ph.D. in Art History at Rutgers University, where she also served as a Curatorial Fellow in the Department of Russian and Soviet Art at the Zimmerli Art Museum.
She has curated several exhibitions and published on topics ranging from the hybrid nature of 18th-century Russian portraiture to the prescriptions for male behavior in the 1840s and the role of social media in contemporary art history classrooms.
Her primary research interests include the development of new art historical methodologies, masculinity studies, the history and historiography of modernism, and the philosophy of art and aesthetics in the modern era. A recipient of numerous grants and fellowships, she formerly taught in the Department of Art History at Rutgers University and as a Postdoctoral Fellow in the Faculty of Humanities and Social Sciences at the Cooper Union for the Advancement of Science and Art in New York City.
Email: allison.leigh@louisiana.edu
Instagram: @professorleigh
Dr. Leigh received a B.A. in Art History from American University in Washington D.C. and completed a Ph.D. in Art History at Rutgers University, where she also served as a Curatorial Fellow in the Department of Russian and Soviet Art at the Zimmerli Art Museum.
She has curated several exhibitions and published on topics ranging from the hybrid nature of 18th-century Russian portraiture to the prescriptions for male behavior in the 1840s and the role of social media in contemporary art history classrooms.
Her primary research interests include the development of new art historical methodologies, masculinity studies, the history and historiography of modernism, and the philosophy of art and aesthetics in the modern era. A recipient of numerous grants and fellowships, she formerly taught in the Department of Art History at Rutgers University and as a Postdoctoral Fellow in the Faculty of Humanities and Social Sciences at the Cooper Union for the Advancement of Science and Art in New York City.
Email: allison.leigh@louisiana.edu
Instagram: @professorleigh
