Allison Leigh
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RECENT AND FORTHCOMING

Articles and Book Chapters

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“Cultural Bilingualism in Eighteenth-Century Russian Portraiture”
in Citizens of the Enlightenment: Navigating Values, Rules, and Spaces, eds. Kerstin Maria Pahl and Julien Puget (Paris: Honoré Champion, 2026), 159–184.
MORE ABOUT THE VOLUME HERE
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“Western or Non-Western? The Case of Russian Art”
in Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740–1940,
​eds. Maria Taroutina and Allison Leigh (Manchester: Manchester University Press, 2023), 14–49.
READ THE CHAPTER HERE
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“Tsar Alexander I, Sir Thomas Lawrence, and George Dawe: Masculinity and the Development of the St. Petersburg Military Gallery”
in Courtly Gifts and Cultural Diplomacy: Art, Material Culture, and British-Russian Relations, ed. Louise Hardiman (Leiden: Brill Publishing, 2023), 288–315.
READ THE CHAPTER HERE
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“Farewell to Russian Art: On Resistance, Complicity, and Decolonization in a
Nineteenth-Century Art Worldwide 21, issue 3 (Autumn 2022): 125–151.
READ THE ARTICLE HERE
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“Мужское начало и Товарищество: артель художников, передвижники и братские ценности, 1863–1885 годы"
("Masculinity and Partnership: The Artel of Artists, the Peredvizhniki, and Fraternal Values from 1863–1885”)

in Товарищество передвижных художественных выставок. К 150-летию со дня основания [The 150th Anniversary of the Founding of the Association of Traveling Art Exhibitions] (Moscow: State Tretyakov Gallery, 2022), 39–48.
READ THE CHAPTER HERE
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“A Brief History of the Teaching Artist”
in Twenty Years of Marais Press: Imprinting a Campus and Collection (Lafayette, LA: University of Louisiana Press, 2022), 172-74.
READ THE CHAPTER HERE
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“Manet’s Syphilis: Masculinity, Debility, and Adaptation in the 1880s”
in Disability and Art History from Antiquity to the Twenty-First Century, eds. Ann Millett-Gallant and Elizabeth Howie ​(New York: Routledge, 2022), 140-156.
ORDER THE VOLUME HERE
READ THE CHAPTER HERE

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“Picturing Churchill: Reckoning with the Graham Sutherland Portrait.”
Finest Hour: The Magazine of the International Churchill Society 194 (Winter 2021): 25-29.
READ THE ARTICLE HERE

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“Social Media in the Art History Classroom”
(co-authored with Lauren Jimerson)
in Routledge Companion to Digital Humanities and Art History, ed. Kathryn Brown (New York: Routledge, 2020), 480-494.
ORDER THE VOLUME HERE
PREVIEW THE CHAPTER HERE

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"Blood, Skin, and Paint: Karl Briullov in 1832"
in New Narratives of Russian and East European Art: Between Traditions and Revolutions,
edited by Galina Mardilovich and Maria Taroutina (New York: Routledge, 2019), 15-31.
ORDER THE VOLUME HERE

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“Vasilii Maksimov: Individuality and Collectivism in Krestonostsev’s Artel of Artists”
Russian History, special issue on 'Artistic Communities and Educational Approaches in 19th- and Early 20th-Century Russia,'  edited by Ludmila Piters-Hofmann and Isabel Wünsche, vol. 46, issue 4 (December 2019): ​262-275.
READ THE ARTICLE HERE

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"Men’s Time: Pavel Fedotov and the Pressures of Mid-19th-Century Masculinity"
Slavic and East European Journal 63, no. 1 (Spring 2019): 28-51.
© 2019 Slavic and East European Journal
​
This article cannot be republished without permission from the Slavic and East European Journal​.

READ THE ARTICLE HERE

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"Between Communism and Abstraction: Kazimir Malevich’s White on White in America"

American Communist History 18, no. 2 (Summer 2019): 1-15.

This article cannot be republished without permission from the Taylor & Francis Group.

READ THE ARTICLE HERE

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"Ilya Repin in Paris: Mediating French Modernism"
Slavic Review 78, no. 2 (Summer 2019): 434-455.
© 2019 Association for Slavic, East European, and Eurasian Studies
​

This article cannot be republished without permission from Cambridge University Press.
READ THE ARTICLE HERE

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"Russian Occidentalism: The Hybrid Self in 18th-Century Russian Portraiture"
in Terms: Proceedings of the 34th World Congress of Art History, edited by Zhu Qingsheng (Beijing: ​Commercial Press, 2019)
READ THE CHAPTER HERE

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"Almost There: Jersey Women Artists Now"
Essay in Contemporary Visions: Jersey Women Artists Now, George Segal Gallery, Montclair State University, 2014.

READ THE ESSAY HERE

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"Future Ruins: Time, Memory and History in the Work of Komar and Melamid"
University of Pittsburgh Studies in Slavic Cultures Journal, Issue 8 (August 2009)

READ THE ARTICLE HERE

BOOK REVIEWS

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H-NET Review (2018)
READ THE REVIEW
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CAA Review (2017)
READ THE REVIEW
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H-NET Review (2016)
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H-NET Review (2019)
READ THE REVIEW
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Slavic Review vol. 79, Issue 1 (Spring 2020) *This review cannot be republished without permission from Cambridge University Press*
READ THE REVIEW
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SEER vol. 98, Issue 1 (January 2020): 169-171
READ THE REVIEW
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